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pfeelings

AGN

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DRAMATIC DEVICE

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DRAMATIC DEVICES   THERE ARE SO MANY TYPES OF DRAMATIC DEVICE. THIS DEVICE HELP YOU TO DEVELOP WELL IN ACTING     P FEELINGS MOVIES PRODUCTION. PETER'S CONCEPT   1                                           ASIDE  The term aside means ‘A remark made in an undertone so as to be inaudible to others nearby.’  An aside is a traditional dramatic device. Here, a character conveys important information to the audience. By convention it is assumed that the character's speech is unheard to the other characters present on stage. It may be addressed to the audience directly or represent an unspoken thought. An aside is usually a brief comment, rather than a speech, such as a monologue or soliloquy.  An aside differs from a monologue or soliloquy. Unlike a public announcement, it occurs within the context of the play. An aside is, by convention, a true statement of a character's thought; a character may be mistaken in an aside, but must not be dis
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sabastine

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                                                             nolly wood actress miss sabastine. she is one of the best of the movie    title               to late to weep the sciret  she played the rool of nancy. the gost who keep the film on supect. click on sabatine for more information   miss sabastine  
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HOW TO BE A GOOD ACTOR

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4 Use your pace and volume to dictate the energy of a scene. When reciting lines it's tempting to blaze through them as fast as you can. But this is a surefire way to lose the nuance of your role. Instead, let your pacing and volume mimic your character's internal state. Nervous or scared characters often talk quickly, rushing the words out. Angry characters will raise their voice, and may slow down their speech (to make a point) or speed it up (when overflowing with anger). Happy/excited characters tend to speak with an even volume, or raise volume as the speech goes on. They talk quickly. A variety of pacing and volume, depending on the scene, is a great way to show characters changing or reacting to certain events.    5 Play with the emphasis in your lines. Think about the subtext of every line, and emphasize accordingly. Emphasis the lined is stressed. Think of it as the most important word or phrase of the sentence. It may not s
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